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        "rendered": "<h3 class=\"wp-block-heading\"><strong>Scientia Global Editions: CLAEC e-Books<\/strong><\/h3>\n\n\n\n<p><strong>Scientia International Press<\/strong>, in partnership with <strong>Editora CLAEC (Centro Latino-Americano de Estudos em Cultura)<\/strong>, announces the <strong>Call for Chapters<\/strong> for the collective volume:<\/p>\n\n\n\n<p><strong>From the Gothic in Literature to Horror in Cinema<\/strong><\/p>\n\n\n\n<p>This book is part of the <strong>Scientia Global Editions: CLAEC e-Books<\/strong> collection and invites interdisciplinary contributions that explore the representations of the Gothic and horror across literature, cinema, and other artistic expressions.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>About the Book<\/strong><\/h3>\n\n\n\n<p>Since the late eighteenth century, Gothic literature has played a central role in shaping cultural representations of <strong>fear, the supernatural, the uncanny, and monstrosity<\/strong>. Over time, these narratives expanded beyond literature, finding new forms and languages in <strong>cinema, music, comics, and other visual and audiovisual media<\/strong>.<\/p>\n\n\n\n<p>This volume seeks to bring together <strong>researchers, educators, and scholars<\/strong> interested in critically examining how Gothic and horror aesthetics have been constructed, transformed, and reinterpreted across historical periods and artistic media.<\/p>\n\n\n\n<p>The book encourages analyses that situate Gothic and horror narratives within their <strong>historical, social, political, and ideological contexts<\/strong>, linking fictional representations to broader processes such as economic transformations, cultural anxieties, power relations, and collective imaginaries.<\/p>\n\n\n\n<p>Theoretical, historical, comparative, and analytical contributions from the <strong>Humanities, Literature, Film Studies, Cultural Studies, History, and related fields<\/strong> are especially welcome.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Thematic Axes (Non-Exhaustive)<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Gothic literature and its historical origins<\/li>\n\n\n\n<li>Horror cinema and visual narratives of fear<\/li>\n\n\n\n<li>Monsters, the supernatural, and the uncanny<\/li>\n\n\n\n<li>Gothic and horror in music, comics, and popular culture<\/li>\n\n\n\n<li>Social, political, and ideological contexts of Gothic narratives<\/li>\n\n\n\n<li>Representations of fear, otherness, and transgression<\/li>\n\n\n\n<li>Aesthetic, symbolic, and narrative transformations of horror<\/li>\n\n\n\n<li>Cultural anxieties and collective imaginaries<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Editor<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dr. Michel Goulart da Silva<\/strong> (UFSC, Brazil)<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Who Can Submit<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Authors with <strong>a minimum academic degree of Master\u2019s<\/strong> (with or without institutional affiliation)<\/li>\n\n\n\n<li>Chapters may include <strong>co-authorship with PhD candidates, Master\u2019s students, or undergraduate students<\/strong>, provided at least one author holds a Master\u2019s degree<\/li>\n\n\n\n<li>Maximum of <strong>five authors per chapter<\/strong><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Languages and Multilingual Publication<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Submissions accepted in <strong>Portuguese, Spanish, English, or French<\/strong><\/li>\n\n\n\n<li>All accepted chapters will be <strong>automatically translated into an additional language<\/strong>, <strong>free of charge<\/strong><\/li>\n\n\n\n<li>Each chapter receives an <strong>individual DOI<\/strong><\/li>\n\n\n\n<li>The e-book will receive an <strong>ISBN registered in Brazil<\/strong><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Publication Model and Timeline<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Continuous publication flow<\/strong><\/li>\n\n\n\n<li>Approved chapters are published on the <strong>OMP platform within up to 15 business days<\/strong> after APC payment and submission of the final version<\/li>\n\n\n\n<li>The <strong>complete consolidated volume<\/strong> will be published by <strong>May 31, 2026<\/strong><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Publication Fees (per approved chapter)<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Institutions in Brazil:<\/strong> R$ 400.00<\/li>\n\n\n\n<li><strong>Institutions outside Brazil:<\/strong> \u20ac250.00<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Key Dates and Information<\/strong><\/h3>\n\n\n\n<p>\ud83d\udcc5 <strong>Submission deadline:<\/strong> March 31, 2026<br>\ud83d\udcd8 <strong>Open-access, bilingual publication<\/strong><br>\ud83d\udcc4 <strong>License:<\/strong> Creative Commons CC BY-NC 4.0<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Submission and Links<\/strong><\/h3>\n\n\n\n<p>\ud83d\udcbb <strong>Submit your chapter:<\/strong><br><a href=\"https:\/\/forms.office.com\/r\/EV8JX3yAFA\">https:\/\/forms.office.com\/r\/EV8JX3yAFA<\/a><\/p>\n\n\n\n<p>\ud83d\udce5 <strong>See this and other open calls:<\/strong><br><a href=\"https:\/\/press.scientia.international\/press\/callsclaec\">https:\/\/press.scientia.international\/press\/callsclaec<\/a><\/p>\n\n\n\n<p>\ud83d\udce7 <strong>Contact:<\/strong><br><a>press@scientia.international<\/a><\/p>\n\n\n\n<p><\/p>",
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